Decoding of Michelangelo's Holy Family
Present decoding is not actually about the "Holy Family", not by any chance questions its role worldwide. It is about the hidden thoughts of the painter Michelangelo that came out, without knowing, on this mural because of the truths he knew and had fallen in his perception at the duration of his staying at the temples to paint the orders of clergymen.
So, after a long research I came up with the following conclusions: Michelangelo, therefore, thinking that the man who paints is identified with clergyman and having an ugly moral picture of them, without realizing, at the small child’s leg he makes once again the form of the bold man who is having immortal thoughts for the genital organs of the child, while the woman pushes with her hand the shaped head.
So, after a long research I came up with the following conclusions: Michelangelo, therefore, thinking that the man who paints is identified with clergyman and having an ugly moral picture of them, without realizing, at the small child’s leg he makes once again the form of the bold man who is having immortal thoughts for the genital organs of the child, while the woman pushes with her hand the shaped head.
The sexual disposal of the man in the painting appears from the way that he looks at and try to achieve sexual harassment. Also, the boy of the drawing with his elbow pushes the man trying to safeguard his genitals. Michelangelo having bad impressions of the clergymen then, he creates painting of another picture which is presented under the hand of the woman and shapes a cloak that covers the eyes and appears only the mouth and the nose.
That means that the clergymen, at Michelangelo’s point of view, were hiding their sexual orgies under their cloaks keeping their mouths closed while most of them are old men, and this appear from the wrinkled neck of the figure. Also, the man sits higher than the woman declaring that he is a clergyman of higher authority. In the neck of the man, a naked woman on her kneels appears like being a burden to him, imploring him for a relation but he is not interested for her as he is more interested for pederasty.
A young child at the right side of the painting, while it wants to turn to the clergyman for help, by the looks of it, the look of supplication that it has, it is moving away with fear. Left and right in the background there are naked figures that show that they have intrigues to each other and juxtapositions about who is better than the other and with whom they play erotic games.
The fact that the figures are behind the man, it shows previous sexual orgies in his life. At the outer part there are 2 rich persons, while appear also decent to others, apart from the clergymen grounds, likely political persons of the time that watch and know the sexual orgies that are played and that other watches them without reacting while others, as the right one at the painting, they are discomfort without however reacting. At the same time the mountains at the back of the painting refer to closed spaces with tall walls while the sexual orgies are played in underground rooms, away from common view.
That means that the clergymen, at Michelangelo’s point of view, were hiding their sexual orgies under their cloaks keeping their mouths closed while most of them are old men, and this appear from the wrinkled neck of the figure. Also, the man sits higher than the woman declaring that he is a clergyman of higher authority. In the neck of the man, a naked woman on her kneels appears like being a burden to him, imploring him for a relation but he is not interested for her as he is more interested for pederasty.
A young child at the right side of the painting, while it wants to turn to the clergyman for help, by the looks of it, the look of supplication that it has, it is moving away with fear. Left and right in the background there are naked figures that show that they have intrigues to each other and juxtapositions about who is better than the other and with whom they play erotic games.
The fact that the figures are behind the man, it shows previous sexual orgies in his life. At the outer part there are 2 rich persons, while appear also decent to others, apart from the clergymen grounds, likely political persons of the time that watch and know the sexual orgies that are played and that other watches them without reacting while others, as the right one at the painting, they are discomfort without however reacting. At the same time the mountains at the back of the painting refer to closed spaces with tall walls while the sexual orgies are played in underground rooms, away from common view.
Decoding of Picasso's Guernica
The famous painting Guernica of Picasso, was exposed for the first time in an Exhibition in France in 1937 in memory of victims of the bombardment of city Guernica. The painting has enormous dimensions, appr. 8 meters, it is made with oils in canvas with dark colors, the least of white, ivory white, light gray and a lot of dark gray, and all these in black background. A lot of art historians have written about this painting that it illustrates in a tragic way the death and the cries of desperate persons at the bombardment of Guernica. The painting is now exposed in the Picasso Museum behind bulletproof glasses.
Picasso in the middle of the paining he almost puts himself in the happening, only his head without the body, because intellectually he was there in this hell of bombardment but not with his body. From the back of his head starts a dark color, then it becomes grayish, then a little bit lighter and finally it leads to a white hand that holds a candle near a Sun with an eye. That means that even though he was sad at the beginning of the incident, slowly the pain began to soften and was becoming an artistic idea, as light that will shine in the world and will give messages for the drama of the bombardment of the city of Guernica. The Sun with the eye shows that he wanted through the painting to put all eyes of the world above this destruction and this make him famous.
The horse that is under Picasso’s head shows that Picasso wanted his work to trot all over the world leaving his close cycle, that’s why he send the painting to Paris in 1937. The one leg of the horse at the back lower in the painting holds something small. This is the wage of the painting, a few money at his opinion at the end of affair, that is to say the exhibition of the painting in relation with the big glory that it will have. While the body of the horse is towards him, Picasso with his hand holding the candle turns the head of the horse to the opposite direction that its body, that is to say to trot to other distant countries.
Then, if we look under from the head of Picasso we see through his cloak a beautiful woman popping up while her body is hidden inside his cloak. That means that Picasso has a secret relationship with this eminent woman that admires him, supports him and looks at the candle, that is his idea for Guernica while she believes in his success.
Under this woman pops up another woman with covered mouth holding a child. She is his woman that abandons their home with their child, sad and ashamed without telling anyone about her husband’s relationship, that’s why she has a cloth on her mouth and bending head.
In the right end of the painting there is a leg and a paw in a pushing effort. That implies that Picasso is the one that pushes his personal but also his professional with all of his strength there where he wants, while the beautiful woman obviously supports him with her hand (the hand that comes out by her).
In the above right part of the painting a man cannot swallow a square form. That means that the people in Guernica cannot swallow the fact of the bombardment. In the low part of the painting two hands tighten the one with the other. They are the politics’ concealed agreements that were made for this war.
In the left part of the painting in border there is a mountain that smokes. The importance of this is that the Guernica’s affair it closed but rumors and comments are continuing. Also the bull by the mountain and under it a woman with a baby in embrace and the dead head of her mother in her apron, show us that she implores for food, while she recalls the bulls in the arena and their unfair slaughter as now they are in the same position. The last figure at the lower part of the painting is a man begging for help and food.
The horse that is under Picasso’s head shows that Picasso wanted his work to trot all over the world leaving his close cycle, that’s why he send the painting to Paris in 1937. The one leg of the horse at the back lower in the painting holds something small. This is the wage of the painting, a few money at his opinion at the end of affair, that is to say the exhibition of the painting in relation with the big glory that it will have. While the body of the horse is towards him, Picasso with his hand holding the candle turns the head of the horse to the opposite direction that its body, that is to say to trot to other distant countries.
Then, if we look under from the head of Picasso we see through his cloak a beautiful woman popping up while her body is hidden inside his cloak. That means that Picasso has a secret relationship with this eminent woman that admires him, supports him and looks at the candle, that is his idea for Guernica while she believes in his success.
Under this woman pops up another woman with covered mouth holding a child. She is his woman that abandons their home with their child, sad and ashamed without telling anyone about her husband’s relationship, that’s why she has a cloth on her mouth and bending head.
In the right end of the painting there is a leg and a paw in a pushing effort. That implies that Picasso is the one that pushes his personal but also his professional with all of his strength there where he wants, while the beautiful woman obviously supports him with her hand (the hand that comes out by her).
In the above right part of the painting a man cannot swallow a square form. That means that the people in Guernica cannot swallow the fact of the bombardment. In the low part of the painting two hands tighten the one with the other. They are the politics’ concealed agreements that were made for this war.
In the left part of the painting in border there is a mountain that smokes. The importance of this is that the Guernica’s affair it closed but rumors and comments are continuing. Also the bull by the mountain and under it a woman with a baby in embrace and the dead head of her mother in her apron, show us that she implores for food, while she recalls the bulls in the arena and their unfair slaughter as now they are in the same position. The last figure at the lower part of the painting is a man begging for help and food.
Decoding of Adolf Hitler's Paintings
Adolf Hitler in his juvenile age wanted to become a successful artist. He failed twice at his exams for the Academy of Arts that led him to paint at the streets for 5 marks a piece.
In this painting, he is considered an intelligent man, concerned about the world, a man who observed others in every detail (as all painters do). He seems to try to find out what others really want and what influences them, and then how he could benefit through their faults and needs. He realizes that people feel little and helpless opposite religious leaders who look down on them with eyes filled with love, arrogance and superiority.
He notices that many pass by but few come in because of love for God. He thought of religion surpassing and envied clergymen for the honor they got and the control on the crowds. He thought that in order to become a priest had to have true love for God and therefore that meant limitations in life, something he could never have. He searched for something that would honor him. He wished for his own empire, such as church's. He considered himself as a handsome man but dislike something else in his family environment (it is supposed that his mother was Jew).
He thought of uniting all the world around his will and feared that 2 world powers would stop his dream from happening, once he would come to power. He wished to become famous one way or the other. He showed love for his religion, that's why there was a cross in the swastika as the symbol of his empire. A symbol that meant to show himself advancing at any cost as well as for others a symbol of holy purpose to bring better days for all the world.
He notices that many pass by but few come in because of love for God. He thought of religion surpassing and envied clergymen for the honor they got and the control on the crowds. He thought that in order to become a priest had to have true love for God and therefore that meant limitations in life, something he could never have. He searched for something that would honor him. He wished for his own empire, such as church's. He considered himself as a handsome man but dislike something else in his family environment (it is supposed that his mother was Jew).
He thought of uniting all the world around his will and feared that 2 world powers would stop his dream from happening, once he would come to power. He wished to become famous one way or the other. He showed love for his religion, that's why there was a cross in the swastika as the symbol of his empire. A symbol that meant to show himself advancing at any cost as well as for others a symbol of holy purpose to bring better days for all the world.
In this painting we can see that he had 3 options in his life. First, to become a painter, a job with no future and money. He was, also, considering another option of becoming a priest, a narrow path without many choices. He, finally, chose the third option of a military carrier, an open and prosperous choice.
We can see Hitler sitting in the first bridge, that is to say in the place that was found as a painter with few successes of survival and money. He thought of the next choice, the 2nd bridge, to become a priest that is to say because he saw that there he would be ensured economically but could go up also socially. However he realized that he could not accomplish that because he loved women sex and was a narcissist.
He realized that the 3d option of becoming a military man would have devastating consequences to people, that's why he left it as his final choice. He was feeling a looser and cut from society and had thought of suicide if he would fail in his carrier. He studied everything with mathematic precision and placed a time frame to achieve a goal or else he would force himself to resign. He knew that becoming a military man would mean that he would have to organize wars and thought of himself capable of doing so with accuracy.
Finally he decided the 3d option. The third bridge is his third choice to become a military man, something that would ensure him economically but could also excel him. This is shown clearly and only Athiná can see it and show it to you in the painting with the bridge. If you observe carefully under the third chamber of bridge you will see two soldiers with helmets, while outside of it you see a machine-gun and in the corner of the painting you see herd.
In the path for greatness, he was also thinking of taking over other countries and that he needed more arms, with longer scope and chosen strong army of men.He imagined that if he achieved in the military system people would respect and fear him, so he would be able to take control of them. He painted all these without knowledge, they came out subconsciously in the water of the river. All these also mean that he made the choice to check masses of people with arms and thus to become important as precisely as he wanted, with any cost and consequences this would have.
We can see Hitler sitting in the first bridge, that is to say in the place that was found as a painter with few successes of survival and money. He thought of the next choice, the 2nd bridge, to become a priest that is to say because he saw that there he would be ensured economically but could go up also socially. However he realized that he could not accomplish that because he loved women sex and was a narcissist.
He realized that the 3d option of becoming a military man would have devastating consequences to people, that's why he left it as his final choice. He was feeling a looser and cut from society and had thought of suicide if he would fail in his carrier. He studied everything with mathematic precision and placed a time frame to achieve a goal or else he would force himself to resign. He knew that becoming a military man would mean that he would have to organize wars and thought of himself capable of doing so with accuracy.
Finally he decided the 3d option. The third bridge is his third choice to become a military man, something that would ensure him economically but could also excel him. This is shown clearly and only Athiná can see it and show it to you in the painting with the bridge. If you observe carefully under the third chamber of bridge you will see two soldiers with helmets, while outside of it you see a machine-gun and in the corner of the painting you see herd.
In the path for greatness, he was also thinking of taking over other countries and that he needed more arms, with longer scope and chosen strong army of men.He imagined that if he achieved in the military system people would respect and fear him, so he would be able to take control of them. He painted all these without knowledge, they came out subconsciously in the water of the river. All these also mean that he made the choice to check masses of people with arms and thus to become important as precisely as he wanted, with any cost and consequences this would have.
In this painting we can see that he is thoughtful, stagnant and speechless. Like a cat looks up for his boss and waits for food, Hitler is thinking who superior officer could help him without begging him. He sees that there is no help from anyone and he is disappointed. He, finally, thinks that he can make it on his own.
Decoding of Dimitris Mitaras' paintings
In this painting we see the painter's love for his dog. He enjoys feeding him and thinks of it as a good dog but sometimes it gets dangerous. Would wish to have another dog (if not already has) while he feels like watching over his back. The dog, also, shows his teeth to strangers and gets wild.
In this painting we can see the painter's devotion to his work and one thought after another coming real, but on the other hand it also tires him with pains in his back, his shoulders and his right hand.
What he wants for his works is to have his mark, his stain. He feels strong, fearless, pioneer but always worries about a bad criticism. What he dislikes the most about it is that is happens in his ignorance and he is aware to ask the reason why.
He gets disappointed for getting old and dying in the future. He loves his 2 gardens, one big and one smaller, and often spends some time there. Also, some times he cannot deal with his dog or do more for/with it.
In this painting we can see the painter's devotion to his work and one thought after another coming real, but on the other hand it also tires him with pains in his back, his shoulders and his right hand.
What he wants for his works is to have his mark, his stain. He feels strong, fearless, pioneer but always worries about a bad criticism. What he dislikes the most about it is that is happens in his ignorance and he is aware to ask the reason why.
He gets disappointed for getting old and dying in the future. He loves his 2 gardens, one big and one smaller, and often spends some time there. Also, some times he cannot deal with his dog or do more for/with it.
In this painting we can see the painter's love for his wife. He thinks of her adorable and lives as a queen.
He watches artists who demonstrate their works trying to give them spirituality while trying to get near him with a lot of means and for many reasons to cooperate with them. He reminds everyone that he is Mitaras, a powerful and good painter and wish that they respect him.
He realizes that other artists are motioned by love for what they do but, also, for money and that these artists are getting. more and more each day. He is trying to be friendly with everyone but is annoyed by the fact that they try to reach to his point and even overtake him.
He thinks that many of them speak out for themselves more than they deserve. He thinks of himself special, not like them, while in an other way he tries to pass knowledge to youngsters. His wife observes and wonders what will happen to all those new artists, what will their future be.
He watches artists who demonstrate their works trying to give them spirituality while trying to get near him with a lot of means and for many reasons to cooperate with them. He reminds everyone that he is Mitaras, a powerful and good painter and wish that they respect him.
He realizes that other artists are motioned by love for what they do but, also, for money and that these artists are getting. more and more each day. He is trying to be friendly with everyone but is annoyed by the fact that they try to reach to his point and even overtake him.
He thinks that many of them speak out for themselves more than they deserve. He thinks of himself special, not like them, while in an other way he tries to pass knowledge to youngsters. His wife observes and wonders what will happen to all those new artists, what will their future be.
In this painting we find out what happens to a spiritual person who is leading to what he does and he is being followed by others with less abilities than his, at his opinion.
He feels secure and fortified with his work and family, successful and concentrated to what he does. He has determined his course, even if that discourages and disappoints him somewhat because he knows that he could have done more and better works.
His struggle to be No 1 has tired him emotionally as well as physically. He fights to climb professionally more and he is thinking that his work would be more valuable in money then.
There are times he wants to relax and do nothing else but thinking how he would do something new. He enjoys traveling incognito and admires the female sex. His travels begin as journeys but end up as business trips and deals with respectful areas.
He feels secure and fortified with his work and family, successful and concentrated to what he does. He has determined his course, even if that discourages and disappoints him somewhat because he knows that he could have done more and better works.
His struggle to be No 1 has tired him emotionally as well as physically. He fights to climb professionally more and he is thinking that his work would be more valuable in money then.
There are times he wants to relax and do nothing else but thinking how he would do something new. He enjoys traveling incognito and admires the female sex. His travels begin as journeys but end up as business trips and deals with respectful areas.
